The report is devoted to elaboratation creative philosophical models for optimization multi-cultural dialogue into “post modern” global society. The main idea of the article is to describe the basic philosophical models (rooting in ancient philosophy, as the most seriously and fundamental theoretical positions for solution the problem of many-pole's world), connecting them with the main points of modern philosophers (F. Fucuyama, A. Toffler, S. Hantington, S. Averintsev, A. Panarin, Y. Lotman, S. Filatov, A. Malashenco, E. Volkhova etc). The dialogue of (...) cultures is the “other side” of the process of globalization. The question about possible strategies of intercultural interaction, its opportunities and limits, as well as potential grounds for mutual understanding is ultimately vital todayfor contemporary philosophy of culture. Its solution determines perspective of consolidation of sodium as well as selection of definite position in the dialogue itself – whether it will be an isolationism leading to the “end of history” as to the returning to cyclic model of life of human community; or there will be retained an orientation for mutual displacement of value priorities (war of ideologies) as competitive adaptive programs. In any case the globalizing world in the order of self-organization in the next decades will stop at the selection of any definite strategy. (shrink)

We consider IOpen, the subsystem of PA (Peano Arithmetic) with the induction scheme restricted to quantifier-free formulas. We prove that each model of IOpen can be embedded in a model where the equation x 2 1 + x 2 2 + x 2 3 + x 2 4 = a has a solution. The main lemma states that there is no polynomial f(x,y) with coefficients in a (nonstandard) DOR M such that $|f(x,y)| for every (x,y) ∈ C, where C is (...) the curve defined on the real closure of M by C: x 2 + y 2 = a and $a > 0$ is a nonstandard element of M. (shrink)

The steady stream of books on medieval manuscripts addressed to a popular audience over the past two decades coincides with the advent of tablets such as Amazon's Kindle. As the flatlands of the digital realm encompass more of life, nostalgia for a tactile realm of reading, whether in the making or the perception of artifacts, asserts itself, as does the desire to immerse oneself in the real space of the conventional book, as opposed to the virtual yet denatured spaces of (...) the metaverse. No accident, then, that, following an introduction that gestures toward medieval subjects and to readers other than Christian, Wellesley's engaging, if episodic, account of medieval manuscripts (published in the United States by Basic Books as The Gilded Page: The Secret Lives of Medieval Manuscripts) opens with a prologue in which she recounts her hands-on visit to a parchment maker, during which she tried to slough the hair off a hide using an implement known as a scudder.Manuscripts permit one to come into contact with the past, or at least to harbor the illusion that one can. Wellesley's book repeatedly evokes the contingency of landmarks and masterworks that make up the history of culture. Pendant chapters treat “Discoveries,” medieval as well as modern, of books that, when first encountered, had been lost to view for the better part of a millennium, as well as the “Near-Disasters” by which famous works such as Beowulf (or indeed entire libraries) made it down to modernity by only a hair's breadth—despite the devil's assurance in Bulgakov's The Master and Margarita that “manuscripts don't burn.” Within a binding held tight by clasps, parchment—even when exposed to fire—can survive, if it is not then reduced to a mess by the water used to douse the flames. Having been rescued from the ruins of Ashburnham House, which burned in 1731, the detached pages of the Cotton Genesis at the British Library—one of a handful of illustrated biblical manuscripts from late antiquity—now look like soggy, burned toast pressed between glass sheets to conserve what little is left.Other chapters in this book make things personal, matching brief biographies of celebrated manuscripts with famous (or not so famous) persons, whether patrons, scribes, or artists—a sequence that reflects their order of importance in the Middle Ages. To have included an afterword as well as an epilogue seems indulgent: one, too brief, on the impact of printing (focused on the English printer Caxton), the other on “The Use and Misuse of the Past,” which dwells on the dispersal of monastic libraries after the English Reformation. The focus on the British Isles, to the neglect of the continent, risks being too narrow for a book so general in scope. The book's very British flavor, however, is also part of what lends it a familiar, chatty tone. A pleasant, companionable read, this extended essay does not advance our knowledge of medieval manuscripts, but it does help diffuse it to a larger audience in a way that makes old books seem companionable. Rather than Hidden Hands, the book might well have been called Comites latentes: hidden friends. (shrink)

Mikhail Bulgakov's novel The Master and Margarita was written between 1929 and 1940. Although delayed for a quarter of a century, it quickly found a stable place in our life as soon as it was published [for the first publication of the novel see: Moskva, 1966, no. 11; 1967, no. 1]. It is usually classified as a satirical philosophical novel. The satirical element puts it in the same family as such well-known works of the end of the '20s as (...) the novels of I. Il'f and E. Petrov, Twelve Chairs [Dvenadtsat' stul'ev] and The Golden Calf [Zolotoi telenok], but its emphatically philosophical orientation makes it all but a unique phenomenon in the history of Soviet literature. The novel's philosophical aspects have already been examined in a number of essays. Thus, for example, N. P. Utekhin analyzes the reflection of certain general philosophical categories in the novel. G. Chernikova and I. L. Galinskaia have endeavored to determine the concrete literary sources of the novel's philosophy [Chernikova 1971, pp. 213-219; Galinskaia 1986]. (shrink)

Interdisciplinary dialogue with contemporary sciences question the coherence and plausibility of many traditional Christological formulations. This book attempts to show that engaging in this interdisciplinary endeavour is both possible and promising.

Contributions in the concept of the divine; influence; Islamic philosophy.

Purpose: The paper aims at examining whether George Herbert Mead's theory of language is an appropriate candidate for developing a non-dualistic conception of experience and empirical research. Problem: Josef Mitterer has limited his theory of a non-dualizing way of speaking to criticizing dualistic positions in philosophy and sciences but has not developed a non-dualistic conception of empirical research. To do this, the task is to forego the notion "description" as a remainder category of dualism to develop a new understanding of (...) language. Findings: Mead's communication and action theory contains a non-dualistic nucleus. His gesture theory of communication allows us to distinguish action and speech and connect them in a non-dualizing way. Further research should especially focus on the relation between immediate and reflective experience in Mead's work. (shrink)